I recently watched a documentary on Hulu about Lilith Fair, and I found myself unexpectedly taken (again) by the spirit of the festival.
For those of us who grew up in the late ’80s and early ’90s, Lilith Fair was the festival. It was run by Sarah McLachlan, who at the time was my favorite female vocalist, and it felt like a counterweight to the other hot-ticket festivals of the era, like Lollapalooza. Lilith Fair featured artists like Sheryl Crow, Erykah Badu, Bonnie Raitt, Tracy Chapman, Fiona Apple, Indigo Girls, and Jewel-women who were absolutely on fire back then, and arguably still are today.
When I went to Lilith Fair back in 1997, I didn’t think of it as a feminist statement. I was going to hear music that moved me and reflected who I was. But watching the documentary now, with decades of hindsight, I see just how radical it actually was.
The music industry had told Sarah McLachlan that an all-female lineup wouldn't sell tickets. That women artists couldn't anchor a major festival. That audiences wouldn't show up. She called BS. And she was right. Lilith Fair was a huge success, not because it was making a point, but because it was making room for female voices.